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Эффект искажения

Создаём необычные портреты с эффектом горизонтального растягивания лица по этому промпту:

Use the uploaded image as the source and preserve the original subject, Identity, pose, body position, head angle, framing, perspective, pro-portions, clothing, lighting, background, and overall composton as closely as possible. Apply a ocalized hortzontal facial smear / dragged-image distortion effect to the face only matching the look of a photograph whose wet emulsion or digital image data has been physically pulled sideways across the frame. Keep the head, hair, Jawine, neck, body, dothing, and surrounding environment mostly Intact and photographic. Distort the central facial region-especially the eyes, nose, cheeks, and mouth-into a dense band of long horizontal streaks that extend laterally from the original facial features, as If the pixels, Ink, or photographic emulsion were grabbed and aggressively dragged sideways with a flat tool. The streaks should retain the original skin tones, highlights, shadows, eye detalls, lips, and facial colors so the smear clearly originates from the subjects real face rather than becoming abstract paint. Bulld the distortion from many overtapping horizontal bands of different thicknesses and lengths some extremely thin and sharp, others wider and softer, with Irregutar edges, broken fragments. small gaps, compressed facial detalls, and occasional dark streaks derived from eyelashes, pupils, nostrils, hair, or deep shadows. Make the smear strongly directional and predominantly horzontal, concentrated across the eye-to-mouth zone, while allowing parts of the forehead, scalp, ears, Jaw, facial hair, and lower face to survive normally so the original subject remains recognizable. The distorted region should look physically stretched rather than motion-blurred" preserve sharp striations, repeated image fragments, displaced skin texture, thin parallel drag marks, and layered color Information Instead of a smooth blur. Some facial detalls may remain partially visible beneath or between the streaks, creating the Impression that the face has been mechanically scraped, pulled, or smeared across the photograph. Keep the deformation tightly localized; do not stretch the entire head, body, or background. Maintain the original photographic grain, flash characteristics, contrast. nd color palette undemeath the effect. The final Image should feel like a real analog photograph that was damaged during development (hysically manipulated while the Image surface was still wet, with raw horizontal emulsion drag Imperfect streak boundarles, and unsettlin but elegant editorial distortion. Avold generic motion blur, radial blur, liquity warping, melting skin, palmerty brush strokes, glitch blocks, VHS artifacts, datamoshing, duplicated heads, extra facial features, full-face erasure, surreal body deformation, or any change to the original pose and composition.

Обсудить в @creatory

Повторить в @aicreator

#GPTimage25

Два мира — одна история

Создаём атмосферные коллажи, где реальная фотография плавно переходит в иллюстрацию на фактурной бумаге по этому промпту:

Vertical 3:4 canvas split into two strictly equal horizontal halves: top 50% and bottom 50%. The upper half stays photographic; the lower half becomes the continued Second World. Together they must read as one scene.

THE UPPER HALF

Keep the photo faithful. Preserve the subject, pose, spatial relationships, color atmosphere, and natural light. Do not redesign, repaint, replace, or restage it. Only necessary proportional

cropping is allowed.

CONTINUITY (highest priority)

Identify one source structure that naturally reaches the center split: a road, shoreline, water, reflection, branch, beam of light, piece of architecture, or body movement. This structure must cross the boundary and continue into the lower half. The Second World begins from the photograph itself, so the same scene passes through the seam and simply changes its physical rules.

TRANSITION EDGE

The center may use an irregular torn-paper edge, but the tear must follow the source structure, never act as decoration. Source elements may touch, follow, break through, or extend beyond edge. Never force the same tear shape onto every image.

The Second World

LOWER HALF

Ivory paper with subtle fibers and abundant negative space. Continue the chosen structure downward from the exact point where it meets the split, then reinterpret it with restrained photo fragments, cut-paper forms, and minimal black hand-drawn lines. The lower world must stay visibly attached Never isolate it as a separate portal, window, stage, platform, or floating vignette unless it clearly comes from the photo.

SECOND WORLD LOGIC

Ask: if this structure became touchable, usable, enterable, or changeable, what would it naturally become? Create one image-specific interaction. For example, water may stay attached while being pulled, a road may continue as a drawn path, or light may become something held. Do not repeat actions mechanically.

FIGURES

Add 0-3 tiny black line figures only when useful. They must physically interact with the continued structure. If the photo already contains strong human action, add none. Never use figures as decoration.

World

CAPTION

One

short handwritten English caption (2-6 words) based on the action. Natural, light, slightly witty. Spell it correctly. No inspirational quotes and no fixed "Same..., different..." phrasing.

STYLE

Real photography above, warm paper below, minimal black line doodles, subtle handmade collage texture, independent-magazine mood. Bright, airy, restrained. It should feel as if the Second already hidden inside the photo and simply continued downward.

was

NEGATIVE

No detached lower-half illustration, no generic torn-paper template, no isolated portal, no unrelated vignette, no broken continuity, no dense illustration, no random decoration, no crowd, altered photo colors, no redesign of the upper image, no glossy 3D, no scrapbook clutter, no gibberish text, no watermark, no logo, no UI.

Обсудить в @creatory

Повторить в @aicreator

#GPTimage25