God’s Amazing Creation
A FOSSIL BED OF BIBLICAL PROPORTIONS
West Coast Fossil Park at Langebaanweg, South Africa, has become a powerful window into the reality of the Flood and truth of the fossil record. What researchers have uncovered there is a massive fossil deposit spread across a wide area, containing thousands of fossils from many different kinds of animals all buried together.
Marine creatures like whales, seals, and sharks are found alongside land animals such as elephants, antelope, and predators, with large numbers of birds mixed in as well. Evolutionists often ask, “If there was a global Flood, where are all the animals mixed together?” Well, here is one of those places where we do find exactly that.
This creates a serious problem for the secular timeline. If the fossil record formed slowly over millions of years, animals should be separated by environment and time. Instead, everything is jumbled together in the same layers, as if buried in one overwhelming event.
The rock layers confirm it. Thick sediments and large-scale cross-bedding show fast-moving water laid these deposits down rapidly. This is not slow accumulation. This is sudden, forceful burial. Local floods cannot explain this scale, this mixing, or the sheer number of fossils concentrated in one place.
This matches what the Bible describes in the global Flood. A world covered by water, ecosystems uprooted, and countless creatures buried quickly under massive layers of sediment.
The contrast is clear. The secular timeline depends on slow, orderly processes that separate life over vast ages. The evidence here shows rapid burial and mixed environments. The Genesis Flood explains what we actually see in the fossil record.
~Biblical Creation
Genesis 1:1
“In the beginning God created the heaven and the earth.”
🐟https: //t.me/Winning_The_Lost
From one precise viewpoint, Thomas Deininger’s sculptures form remarkably detailed birds and animals. Move to the side and the entire image collapses into a chaotic structure of plastic fragments, broken toys and discarded objects.
He creates these anamorphic illusions by arranging objects at different depths, carefully aligning their shapes and colors through one-point perspective. From the intended position, everything connects. Up close or from the side, the illusion reveals what it was hiding all along.
By transforming discarded materials into images of the wildlife 
threatened by pollution, Deininger makes the materials part of the message, not just the method. ♻️
