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Prompt show: post #125 — TG.ME

Prompt show@prompt_show · 340 subscribers Open in TelegramOpen

🧬 @prompt_show

t.me/prompt_show/125

1

August 21, 2026 77 1

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Generate an image of an Ozzie pizza slice on a light background . The pizza is cheesy and has carpet and silk textured with traditional Georgian carpet patterns - rich reds, navy blues, and persian color pattern. Set against a clean white background. High-resolution, surreal, minimalist, cultural fusion, studio lighting. 🧬 @prompt_show 874·Aug 25 The overall vibe is like field notes kept by an architect, travel writer, or natural observer: quiet, restrained, tactilely real, regionally specific, with handmade imperfections and a collectible feel. The photo handles the on-site record; the stamp captures the most recognizable fragments of memory. Avoid: Obvious central dividing lines, circular seals, Chinese red stamps, postage stamp perforations, wax seals, sticker collages, tourist souvenir templates, smooth vector logos, generic city icons, full replication of all architecture, dense detailing, childlike craftiness, cartoon style, 3D rendering, plastic textures, glossy digital gradients, oversaturation, excessive text, decorative clutter, and redrawing or altering the left-side original photo. 🧬 @prompt_show 67·Aug 24 Please create a separate "Rubber Stamp Travel Field Notes Poster" for each photo I upload, outputting each photo individually without collage or multi-image combinations. Overall, use a 4:3 landscape composition, dividing the frame into left and right regions, but without drawing an obvious dividing line. The left side takes up about 58% of the frame, faithfully preserving the original photo. Accurately maintain the main subject identity, terrain, architecture, plants, people, spatial relationships, natural lighting and shadows, authentic textures, and the original color atmosphere; apply only restrained art publication-level photo color grading, and add extremely subtle, fine-grained film noise. For layout adaptation, natural cropping is allowed, but do not stretch, distort, shift, replace, or redraw the main subject. The right side takes up about 42% of the frame, using a warm off-white aged paper as the background. The paper features subtle fibers, natural grain, light usage marks, and a matte texture, while preserving large areas of unprinted paper whitespace, making the blank space an essential part of the layout. Analyze the original photo and extract the most location-distinctive subject outlines, architectural structures, terrain contours, plant forms, roads, shorelines, or other key visual relationships, compressing them into a small multi-color rubber stamp image. Do not replicate every single element from the photo item by item. Retain only the minimal information necessary to instantly recognize the original location, subject, and scene relationships. Remove crowds, vehicles, dense windows, repetitive buildings, fragmented vegetation, decorative elements, and irrelevant backgrounds. The stamp is positioned in the lower-middle of the right-side paper area, occupying only about 30%–38% of the right region's height, with ample whitespace preserved around it. The stamp must not be enlarged into a standard illustration, full landscape painting, or brand logo. Determine the stamp's organization based on the original photo's composition: - Iconic architecture: Retain the most distinctive outer contours, roofs, domes, arches, towers, or main structures. - Mountain settlements: Compress buildings into a few terraced color blocks aligned along the terrain. - Coastal scenery: Retain mountain contours, settlement layers, shorelines, and sparse intermittent water ripples. - City panoramas: Retain the main skyline, one iconic building, and one or two layers of distant mountains. - Natural landscapes: Retain primary mountain forms, trees, shorelines, or road orientations. - Foreground occlusions: If narratively important in the original photo, retain as foreground stamp outlines. Extract 2–4 spot inks from the original photo. Prioritize desaturated colors like carbon black, deep green, brick red, ochre yellow, slate blue, or taupe brown, but do not force a fixed palette. Preserve the most distinctive color character from the original photo, allowing only a small area of color for visual emphasis. Render each color as a separately hand-stamped effect: Authentic rubber stamp carving texture, hand-engraved marks, uneven line widths, contour notches, fractured edges, dry ink shortages, paper show-through, granular ink, uneven pressure, partial ghosting, and about 1–2 mm of subtle misregistration. Allow natural misalignment between color layers; edges must not be digitally smoothed. The print should resemble a real carved stamp pressed onto aged paper, not a filtered photo, smooth vector illustration, or line-art logo. Generate text based on the photo's location, theme, and visual imagery: Location English name No. Number Three short English keywords Gregorian calendar year Place the text below or adjacent to the stamp in the whitespace, using a small, restrained, slightly mechanically imperfect typewriter font. The typography should evoke a traveler's field record, not an ad headline. Ensure all text is spelled accurately, without adding irrelevant slogans, brands, or decorative copy. 55·Aug 24

پرامپت این عکسهایی که ترند شده رو هم واستون میذارم 🧬 @prompt_show 48·Aug 24 highlights, and differing stitch directions to create thread shimmer. Colors can be fresh and vivid, rich and saturated, soft and gentle, or elegantly muted, as determined by each original image; abundant yet uncluttered, bright without garishness, muted without dullness, traditional without rigidity. Text serves only as a light, editorial touch—distill an extremely short English word or phrase from the unspoken emotions, actions, relationships, or metaphors in the original image. Use fine thread embroidery, slender tags, or minimalist tiny lettering, letting the text follow the thread's flow, embed in negative space, hug the subject's edge, or even become part of the composition like a single line; keep it sparse and meaningful, not as explanatory labels, and never overshadowing the embroidery subject. Overall, pursue one image, one kernel, one core motif: first understand the original, then choose what most deserves to remain; discard other elements rather than pile them on for richness. The final result should evoke the fluid colors, silk-thread sheen, Eastern blank space, subtle implications, and contemporary editorial design sense unique to Chinese embroidery—clear and bright, spirited, emotional, and alive. Avoid full-image replicas, element overload, dirty beige backgrounds, yellowed vintage fabrics, fixed national-style palettes, all-over embroidery, lifestyle-product vibes, or templated feels. 🧬 @prompt_show 53·Aug 23

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