Drifting through my native city with a camera has become an addictive habit for the past 10 years or so. Alone or with my models I can visit hidden parts of the city and reflect upon its multiple layers of meanings again and again.
Every model I shoot becomes a connecting element to my past, to my childhood where everything started. You can't decode all of the messages in this stream of mysterious signs, spaces, and artifacts that the city is full of, but you can try…
It feels like these old and abandoned things are in need of interaction, they need human touch and preservation. I am constructing my own interpretation by placing humans in front of decaying walls, broken mechanisms, and nature. It is an endless dialogue between me, the city, and a model.
Для immemorymag
2023
Нила, 2019, печать 2021
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4September 3, 2026 105 1
